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Voltaire explains his view of historiography in his article on "History" in Diderot's Encyclopédie: "One demands of modern historians more details, better ascertained facts, precise dates, more attention to customs, laws, mores, commerce, finance, agriculture, population." Voltaire's histories imposed the values of the Enlightenment on the ...
A letter in May 1732 is the first recorded mention of Voltaire's intent to write a history of the reign of Louis XIV. [3] He stopped and resumed the project multiple times, expressing the fear that he might not live long enough to complete it. [3]
Candide, ou l'Optimisme (/ k ɒ n ˈ d iː d / kon-DEED, [5] French: ⓘ) is a French satire written by Voltaire, a philosopher of the Age of Enlightenment, [6] first published in 1759. . The novella has been widely translated, with English versions titled Candide: or, All for the Best (1759); Candide: or, The Optimist (1762); and Candide: Optimism (1947)
Zadig; or, The Book of Fate (French: Zadig ou la Destinée; 1747) is a novella and work of philosophical fiction by the Enlightenment writer Voltaire. It tells the story of Zadig, a Zoroastrian philosopher in ancient Babylonia. The story of Zadig is a fictional story. Voltaire does not attempt any historical accuracy.
Voltaire first addresses religion in Letters 1–7. He specifically talks about Quakers (1–4), Anglicans (5), Presbyterians (6) and Socinians (7). In the Letters 1–4, Voltaire describes the Quakers, their customs, their beliefs, and their history. He appreciates the simplicity of their rituals.
During Voltaire's lifetime, their names were published as Grafios, Chomos, and Bertillos, [6] translated as Graphius, Chomus, and Bertillus; [7] their names were first changed in the 1784 Kehl edition. [8]
The author, Voltaire. The Dictionnaire philosophique (Philosophical Dictionary) is an encyclopedic dictionary published by the Enlightenment thinker Voltaire in 1764. The alphabetically arranged articles often criticize the Roman Catholic Church, Judaism, Islam, and other institutions.
O. R. Taylor's critical edition of La Henriade [5] devotes a full volume to an introduction, accounting for the germination of the idea and its publication history, the contextual theory of the epic and sources both literary and in recent history and contemporary events, and the nineteenth-century decline in the poem's popularity. Taylor ...