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The maximum contrast of an image is termed the contrast ratio or dynamic range. In images where the contrast ratio approaches the maximum possible for the medium, there is a conservation of contrast. In such cases, increasing contrast in certain parts of the image will necessarily result in a decrease in contrast elsewhere.
The contrast ranges from black at the weakest intensity to white at the strongest. [1] Grayscale images are distinct from one-bit bi-tonal black-and-white images, which, in the context of computer imaging, are images with only two colors: black and white (also called bilevel or binary images). Grayscale images have many shades of gray in between.
Contrast, also known as gamma, is the slope of the tone reproduction curve in a log-log space. High contrast usually involves loss of dynamic range — loss of detail, or clipping, in highlights or shadows. Color accuracy is an important but ambiguous image quality factor. Many viewers prefer enhanced color saturation; the most accurate color ...
By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray. In color photography, electronic sensors or light-sensitive chemicals record color information at the time of exposure .
Blue–red contrast demonstrating depth perception effects 3 Layers of depths "Rivers, Valleys & Mountains". Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red–blue or red–green colors, but can also be perceived with red–grey or blue–grey images.
While being one of the most well-known contrast illusions, there are similar effects which cause two regions of identical color to appear differently depending on context: The Cornsweet illusion creates a boundary between two identically-shaded regions with a discontinuous gradient, resulting in the opposing sides appearing to be different.
The "luminance contrast" is the ratio between the higher luminance, L H, and the lower luminance, L L, that define the feature to be detected.This ratio, often called contrast ratio, CR, (actually being a luminance ratio), is often used for high luminances and for specification of the contrast of electronic visual display devices.
Film negatives usually have less contrast, but a wider dynamic range, than the final printed positive images. The contrast typically increases when they are printed onto photographic paper. When negative film images are brought into the digital realm, their contrast may be adjusted at the time of scanning or, more usually, during subsequent ...