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Caffenol is a photographic alternative process whereby phenols, sodium carbonate and optionally vitamin C are used in aqueous solution as a film and print photographic developer. [ 1 ] [ 2 ] Other basic (as opposed to acidic ) chemicals can be used in place of sodium carbonate; however, sodium carbonate is the most common.
Art deities are a form of religious iconography incorporated into artistic compositions by many religions as a dedication to their respective gods and goddesses. The various artworks are used throughout history as a means to gain a deeper connection to a particular deity or as a sign of respect and devotion to the divine being.
God entered English when the language still had a system of grammatical gender.The word and its cognates were initially neutral but underwent transition when their speakers converted to Christianity, "as a means of distinguishing the personal God of the Christians from the impersonal divine powers acknowledged by pagans."
The phrase "image of God" is found in three passages in the Hebrew Bible, all in the Book of Genesis 1–11: . And God said: 'Let us make man in our image/b'tsalmeinu, after our likeness/kid'muteinu; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.'
A simulacrum (pl.: simulacra or simulacrums, from Latin simulacrum, meaning "likeness, semblance") is a representation or imitation of a person or thing. [1] The word was first recorded in the English language in the late 16th century, used to describe a representation, such as a statue or a painting, especially of a god.
Deus (Classical Latin:, Ecclesiastical Latin: [ˈd̪ɛː.us]) is the Latin word for "god" or "deity".Latin deus and dīvus ("divine") are in turn descended from Proto-Indo-European *deiwos, "celestial" or "shining", from the same root as *Dyēus, the reconstructed chief god of the Proto-Indo-European pantheon.
Theological aesthetics is the interdisciplinary study of theology and aesthetics, and has been defined as being "concerned with questions about God and issues in theology in the light of and perceived through sense knowledge (sensation, feeling, imagination), through beauty, and the arts". [1]
In the realm of photo-texts, photographs and words work together, forming a "dialogue" where neither medium can escape the interplay. [10] [5] This dialogue, described as the "interpenetration of images and words," [11] serves to enhance the narrative potential of each medium. The continuous shift between observing the images and reading the ...