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[14] In 1749, Bach performed the St John Passion once more, in an expanded and altered form from the 1724 version, in what would be his last performance of a Passion. [ 14 ] Wolff writes: "Bach experimented with the St John Passion as he did with no other large-scale composition", [ 11 ] possible by the work's structure with the Gospel text as ...
The Passio secundum Joannem or St John Passion [a] (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the earliest of the surviving Passions by Bach. [1] It was written during his first year as director of church music in Leipzig and was first performed on 7 April 1724, at Good Friday Vespers at the St ...
Bach's setting is remarkable for its final two bars: the trumpets and timpani create a "magnificent blaze of sound". [2] Bach chose the same stanza of Schalling's chorale to end his St John Passion, in the work's first and last version. [5]
This article lists the fugal works of Johann Sebastian Bach, defined here as the fugues, fughettas, and canons, as well as other works containing fugal expositions but not denoted as fugues, such as some choral sections of the Mass in B minor, the St Matthew Passion, the St John Passion, and the cantatas.
One voice per part (green background): OVPP or OVPP+R (with ripienists reinforcing the soloists in some chorale movements) Orch. type (orchestra type) Large orchestras (red background): Bach (orchestra dedicated to Bach's music, founded in the mid of the 20th century), Radio (symphony orchestra of a broadcaster), Symphony
The Johannespassion (St John Passion), "Der Fromme stirbt", HoWV 1.4, is a Passion scored for five soloists, a four-part choir SATB and orchestra. [12] The final movement has a transition from A minor to a "celebratory" A major, in keeping with John's interpretation of the crucifixion as a victory. [6] C. P. E.
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since St John's Gospel is known as the Book of Signs, and since the tonal plan of Bach's St John Passion appears to have been conceived as a form of play on the three musical signs (ie sharp, flat and natural key areas) this important detail in the plan of Aus tiefer Not perhaps possesses a wider significance, relating it to Bach's tonal ...