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The concept for the future canvas, entitled Christ and the Woman Taken in Adultery, was first conceived in 1868, [11] [12] influenced by Alexander Andreyevich Ivanov's painting The Appearance of Christ Before the People. Polenov set himself the task of creating "Christ not only coming, but already in the world, making his way among the people".
The painting was influenced by Beckmann's study of German Renaissance painters, especially Matthias Grünewald. It is a free interpretation of the episode of the Gospel of John, when Jesus saved a woman taken in adultery from those who wanted to stone her. Jesus appears at the center of the composition, having the adulteress, wearing a red veil ...
Christ with the Woman Taken in Adultery, by Guercino, 1621 (Dulwich Picture Gallery) Christ and Sinner, 1873 by Henryk Siemiradzki Christ and the Woman Taken in Adultery, 1565 by Pieter Bruegel, oil on panel, 24 cm × 34 cm (9.4 in × 13.4 in) Christ and the woman taken in adultery, drawing by Rembrandt
Jesus and the woman taken in adultery is a biblical episode from John 8:1–8:20 where Jesus encounters an adulteress brought before Pharisees and scribes, which has been depicted by many artists. Such a crime was punishable by death by stoning ; however, in the scene, Jesus stoops to write (in Dutch) he that is without sin among you, let him ...
The Woman Taken in Adultery is a painting of 1644 by Rembrandt, bought by the National Gallery in London in 1824, as one of their foundation batch of paintings. It is in oil on oak, and 83.8 x 65.4 cm. [1] Rembrandt shows the episode of Jesus and the woman taken in adultery from the Gospel of Saint John.
Christ and the Adulteress (German: Christus und die Ehebrecherin), also titled Christ and the Woman Taken in Adultery, or The Adulteress before Christ, is an oil painting by Titian, made about 1520, in the Kunsthistorisches Museum, Vienna, depicting Jesus and the woman taken in adultery.
Christ and the Samaritan Woman (Kauffman) Christ and the Virgin Diptych; Christ and the Woman of Samaria (Gentileschi) Christ Appointing Saint Roch as Patron Saint of Plague Victims; Christ as the Suffering Redeemer (Mantegna) Christ Asleep during the Tempest; Christ at the home of Mary and Martha; Christ at the Sea of Galilee; Christ Bearing ...
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
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