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The protagonist in Dominique Deruddere's 1987 film Crazy Love, based on various writings by author and poet Charles Bukowski, has sex with a dead woman in the third and final act. The 1987 and 1991 controversial German underground films Nekromantik and its sequel (both directed by Jörg Buttgereit) offer a graphic portrayal of sexual necrophilia.
"Don't Chase the Dead" (stylized in all caps) is a song by American rock band Marilyn Manson, released on September 10, 2020 by Loma Vista Recordings as the second single from the band's eleventh studio album We Are Chaos. The single was issued as a one-track digital download a day ahead of the album's release.
The song is heavily guitar-driven, with soft-distortion lines doubling the melody in the chorus and long, high, sustained single notes providing atmosphere over the verses. A Rhodes electric piano, bass guitar, drums, and percussion are the only other instruments. The chorus vocal line was mimicked on Black Sabbath's "Lady Evil". [6]
The song, renamed "(I Can't Help) Falling in Love with You", was released on May 10, 1993 by Virgin Records, and eventually climbed to No. 1 on the US Billboard Hot 100, staying there for seven weeks, becoming their 4th and last top 10 hit. It also topped the charts of 11 other countries, including Australia, Austria, the Netherlands, New ...
Marco Mendoza (born 3 May 1963) [1] is an American bass guitarist who has worked in diverse genres. He became a professional rock musician in 1989 and debuted on Black Sabbath drummer Bill Ward's solo album Along the Way.
Following the 1989 breakup of The Damned, [2] Vanian, guitarist Roman Jugg and bassist Bryn Merrick formed the Phantom Chords with Brendan Mooney (guitar) and Clyde Dempsey (drums). In 1990, the debut single by the band (" Johnny Remember Me ", a cover of a Geoff Goddard song) was released on Polydor in Australia and M&G Records in the UK .
The music and lyrics, as well as the singing, belong to Shelley. [11] The song uses the verse-chorus formal pattern and is in the key of E major. Both the verse and the chorus start with C♯ minor chords (sixth degree in E major, and relative minor key of E major), which "give [the song] a distinctly downbeat, edgy feel."
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).