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P. Pallas and Arachne; Pallas and the Centaur; Pandora (painting) The Parisian Sphinx; The Parnassus; Persephone (painting) Polyphemus (Sebastiano del Piombo)
The Lexicon Iconographicum Mythologiae Classicae (abbreviated LIMC) is a multivolume encyclopedia cataloguing representations of mythology in the plastic arts of classical antiquity. [1] Published serially from 1981 to 2009, [ 2 ] it is the most extensive resource of its kind, [ 3 ] providing "full and detailed information."
Two Centaurs pound Caeneus into the ground with tree trunks; bronze relief from Olympia, Archaeological Museum of Olympia BE 11a (mid–late seventh century BC) [1] In Greek mythology, Caeneus or Kaineus (Ancient Greek: Καινεύς, romanized: Kaineús) was a Lapith hero, ruler of Thessaly, and the father of the Argonaut Coronus.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
A xoanon (/ ˈ z oʊ. ə n ɒ n / ⓘ, [1] Greek: ξόανον; plural: Greek: ξόανα xoana, from the verb Greek: ξέειν, xeein, to carve or scrape [wood] [2]) was a wooden cult image of Archaic Greece. Classical Greeks associated such cult objects, whether aniconic or effigy, with the legendary Daedalus. Many such cult images were ...
Some late Roman and Greek poetry and mythography identifies him as a sun-god, equivalent to Roman Sol and Greek Helios. [2] Ares (Ἄρης, Árēs) God of courage, war, bloodshed, and violence. The son of Zeus and Hera, he was depicted as a beardless youth, either nude with a helmet and spear or sword, or as an armed warrior.
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