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Green, (such as pea green and drab), yellow, pink, and orange (such as peach and saffron) hues were popular for wallpaper, carpets, curtains, sofas, chair seats, and cushions, often with patterns or bright flowers. English decorator David Hicks was an important influence on interiors in the 1960s, inspired by bright colours associated with ...
The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.
Journal of Interior Design 34(1), 1–13.Lewis, Adam. (2010). The Great Lady Decorators: The Women Who Defined Interior Design, 1870-1955. Rizzoli, New York. ISBN 978-0-8478-3336-8; Owens, Mitchell, (2005). Living large: The brash, bodacious hotels of Dorothy Draper" in The Journal of Decorative and Propaganda Arts, Issue 25. Published by the ...
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Her designs were light, with fresh colors and delicate Chinoiserie furnishings, as opposed to the Victorian preference of heavy, red drapes and upholstery, dark wood and intensely patterned wallpapers. Her designs were also more practical; [20] she eliminated the clutter that occupied the Victorian home, enabling people to entertain more guests ...
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