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Moo, You Bloody Choir is the third studio album by the Australian indie rock band Augie March.It was released in 2006 in Australia by BMG.It entered the ARIA album charts at #10 and was nominated for Album of the Year at the ARIA Music Awards of 2006, losing to Tea & Sympathy by Bernard Fanning.
Strange Bird was written in an abandoned telephone company building in Preston, a suburb of Melbourne. [5] [8] Unlike Sunset Studies, which was produced by Paul McKercher and Richard Pleasance, Augie March chose to produce Strange Bird independently; drummer Dave Williams explained to Beat that the band was so comfortable working together in the studio that they felt confident producing the ...
Augie March's first full-length album, Sunset Studies, was released in 2000. It was critically acclaimed and received four ARIA Music Award nominations in 2001, which won Engineer of the Year for Chris Dickie, Chris Thompson, Paul McKercher and Richard Pleasance.
The song was voted at No. 59 on the Triple J Hottest 100 of All Time in 2009. [6] It was also voted No. 24 on the Triple J Hottest 100 20 Years countdown. [7] Rolling Stone Australia noted the, "Twisting, romantic wordplay that is at turns both clever and earnest—it was upon penning this chorus Augie March would create a timeless pop song ...
"The Cold Acre" is a song by Australian band Augie March. It was released in 2006 as the second and final single from the band's third studio album, Moo, You Bloody Choir. In Bernard Zuel's review of the album, he described how the song's "lyrics fill me with wonder. From a homeless man facing death with equanimity ('And when I go my bones will ...
"Guys" is a mid-tempo indie rock and pop rock ballad that celebrates the band's nearly two decades of friendship, described by Healy as an ode to platonic love and an answer song to "Girls" (2013). Contemporary music critics reacted favourably to "Guys", highlighting the song's simplicity, sentimentality, and placement as the final track on ...
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Secular Cantata No. 2: A Free Song (October 16, 1942) is a cantata for chorus and orchestra by William Schuman, using text by Walt Whitman, that was awarded the first Pulitzer Prize for Music in 1943, [1] after it was premiered by the Boston Symphony Orchestra (with the amateur Harvard-Radcliffe Chorus [2]) under Serge Koussevitzky. [3]