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Tanjore Royal Palace. The work comprises four sections, between them consisting of five hundred and eighty-four poems, and belonged to the genre of śṛṅgāra-kāvya or śṛṅgāra-prabandham, [2] 'a genre associated in the history of Telugu literature with the Thanjavur era' whose poems were mostly inventive retellings of the story of Radha and Krishna, evoking the rāsa of Sringara. [3]
The Earth) is a 1980 Telugu-language philosophical long poem by C. Narayana Reddy. [1] It is written in free verse and was an outcome of Narayana Reddy's meditation on the meaning and mystery of human existence. [2] It deals with the theme of universal brotherhood and the quest of man for the meaning of life and of the nature of the universe ...
Mutyala Saralu (Telugu: ముత్యాల సరాలు) is a compilation of Telugu poems written by Gurajada Apparao in 1910. The compilation heralded the beginning of modern poetry in Telugu language. [1] The traditional meter is replaced by a new lyrical and four beat balladic rhythm.
The poems do not look anything like the sophisticated compositions using the highly cultivated language of . Since the Telugu used by the author is so close to what the common people used, the poems look surprisingly familiar to the users of the Telugu. The poems have an astonishing communication power. All the poems are in kanda padyam meter.
Telugu is the most widely spoken Dravidian language on Earth and is spoken in all of Telangana and Andhra Pradesh in India and parts of other southern states as well. The history of Telugu goes back as early as to 230 BC to 225 AD, [1] and the evidence for the existence of Telugu language is available in the Natya Shastra of the Bharatha people.
Maha Prasthanam is a Telugu-language anthology of poems written by Srirangam Srinivasarao. It is considered an epic and magnum opus in modern Indian poetry. [1] [2] [3] The work is a compilation of poetry written between 1930 and 1940. [4] When it was published in 1950, it redefined the Telugu literary world.
In my father’s obituary, my ex and I are still husband and wife. And my late father’s love for his family, his entire family on the day he died, remains unchanged — even if it’s ...
Married at a very early age (common practice in those times), she lost her husband Venkatachalapathi and became a child-widow. However, she refused to accept anyone but the Lord as her husband and continued to dress as a married woman (such as wearing mangalsutra, non-white clothing, bottu/bindi).