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A twelve-inch Capitol Records gramophone record. The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl (polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side.
The 7" version plays at 33⅓ rpm to accommodate its length of around five and a half minutes. Both versions bear the same catalogue number "FAC 63" despite these differences. The 12" versions of both "Temptation" and its B-side, "Hurt", appear on New Order's mopping-up EP 1981–1982, released a few months after the single itself.
"Blue Monday" is the fifth single by the English rock band New Order. It was released as a 12-inch single on 7 March 1983 through Factory Records.It appears on certain cassette and CD versions of New Order's second studio album, Power, Corruption & Lies (1983). [4]
Substance (also known as Substance 1987) is a compilation album by English alternative dance band New Order.It was released in August 1987 by Factory Records.The album compiles all of the band's singles at that point in their 12-inch versions, along with their respective B-side tracks.
The single was re-issued as a 12" only, with the same catalogue number (FAC 33). The original is approximately 4:34 minutes in length while the re-recording is 4:23. The re-recorded version was used on all subsequent compilations until Singles in 2005, when the original March '81 recording was released on CD for the first time.
"The Best Things in Life Are Free" (classic 12-inch with rap) "The Best Things in Life Are Free" (Def version) "The Best Things in Life Are Free" (CJ's UK dub 1) UK 12-inch single [30] A1. "The Best Things in Life Are Free" (LP version) A2. "The Best Things in Life Are Free" (CJ's UK 12-inch with rap) A3. "The Best Things in Life Are Free" (CJ ...
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On all of the original 12-inch releases, the B-side featured a cover of "Ferry 'Cross the Mersey", followed by a brief dialogue involving Rutherford attempting to sign on, and an a cappella version of the title track's chorus, segueing into an instrumental version of "Relax", known as "Bonus, Again" (which resembles "Come Fighting" more than ...