Search results
Results from the WOW.Com Content Network
"Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy. [1] [2]It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane').
The song originated from a Vandross song called "Funky Music (Is a Part of Me)" which The Mike Garson Band used to play before Bowie concerts in 1974. An alternate mix appeared on the 1989 Sound + Vision box set, though this was replaced with the original on the 2003 reissue of the compilation.
A screenshot from the music video for "(Keep Feeling) Fascination" The video for "(Keep Feeling) Fascination" was filmed in a semi-derelict area of Newham, London which was due for demolition and redevelopment as part of the widescale redevelopment of Docklands and East London which took place in the early 1980s. The video begins with an aerial ...
The soundtrack to the Beatles’ TV special Magical Mystery Tour is a minor work, whether you’re talking about the six-song double EP released in the U.K., or the American version that adds five ...
The omnibus progression in music is a chord progression characterized by chromatic lines moving in opposite directions. [1] The progression has its origins in the various Baroque harmonizations of the descending chromatic fourth in the bass ostinato pattern of passacaglia, known as the "lament bass". [2]
The song opens with acoustic Asus2 and D9 chords. This repeats until the song enters the main structure, a new beat with guitars and harmonica. [4] This part of the song mainly switches between C and F, but occasionally uses other chords as well. [5] After the lyrics finish, the music continues for about two minutes before ending. [4]
The body of a Michigan father who went missing while attending a family gathering over the holidays has reportedly been found. On Saturday, Jan. 4 at approximately 2 p.m. local time, 52-year-old ...
The "three-on-one chord approach" gave the music a fluid, sweeping sound that was harmonically vertical. [7] Concepts of vertical (chordal) versus horizontal (melody) are key ideas in the work of George Russell, whom Coltrane had recorded with in September 1958. [9] This approach reflected Coltrane's fascination with third relations. Sometimes ...