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Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference is a 1986 book by David J. Garrow about Martin Luther King Jr., the Southern Christian Leadership Conference, and the American Civil Rights Movement. The book won the 1987 Pulitzer Prize for Biography.
David Jeffries Garrow (born May 11, 1953) is an American author and historian. [1] He wrote the book Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference (1986), which won the 1987 Pulitzer Prize for Biography.
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Andrea di Bartolo, Way to Calvary, c. 1400.The cluster of halos at the left are the Virgin Mary in front, with the Three Marys. Sebastiano del Piombo, about 1513–14. Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all ...
English version American version 1: Sucking at her breast: Being born 2: Curing the lame: Curing the lame 3: Curing the blind: Curing the blind 4: Raising the dead: Reading the Old Testament in the Temple 5: Bearing the cross: Raising the dead 6: Wearing the crown of Heaven: Rising from the dead 7: Writing with a golden pen: Wearing the crown ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
icon Christ Bearing the Cross by Nikolaos Tzafouris, Metropolitan Museum of Art, New York City. He painted a new style Madonna called Madre della Consolazione which was considered the Italian style and was the standard for the next hundred years. He also emulated Bellini's Pieta which was also heavily copied. [3] [4]
The Louvre panel (Christ Bearing the Cross) was bought from a man named L. Saint-Denis in 1834. [2] The Berlin panel (the Entombment) was bought from the Paris art dealer Émile Pacully in 1904. Originally it had the same golden background as the other panels, but this was painted over in red, probably in the middle of the 15th century. [1]