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In the first half of the 16th century, German dress varied widely from the costume worn in other parts of Europe. Skirts were cut separately from bodices, though often were sewn together, and the open-fronted gown laced over a kirtle with a wide band of rich fabric, often jeweled and embroidered, across the bust.
Chapter 4 "The Renaissance and the Sixteenth Century". (registration required) pp. 74–102; Mentges, Gabriele (2011). "European Fashion (1450–1950)", European History Online, Mainz: Institute of European History, retrieved June 16, 2011. Payne, Blanche (1965). History of Costume, From the Ancient Egyptians to the Twentieth Century. New York ...
Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable "fashion" in clothing, [1] in which Fernand Braudel concurs. [2] The draped garments and straight seams of previous centuries were replaced by curved seams and the beginnings of tailoring, which allowed clothing to more closely fit the human ...
The Low Countries, German states, Scandinavia, England, France, and Italy all absorbed the sobering and formal influence of Spanish dress after the mid-1520s. Fine textiles could be dyed "in the grain" (with the expensive kermes ), alone or as an over-dye with woad, to produce a wide range of colours from blacks and greys through browns ...
Christoph Weiditz (1498, Strasbourg or Freiburg im Breisgau – 1559, Augsburg) was a German painter, medalist, sculptor and goldsmith. His artistic development goes from a naïve-German record of the Renaissance influences to a clever mannerism.
A portrait of the poet Hoffmann von Fallersleben, the author of the Deutschlandlied, as a young man in "old German" fashion (painting from 1819). The fashion known as Altdeutsche Tracht, "old German" dress or costume (also known as Deutsche Nationaltracht, "German national costume"), became popular in Germany between 1813 and 1815, during the time of what is in German historiography known as ...
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