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She is known for her equine sculpture - in particular a realistic depiction of horses, often in an American West context. [2] She was inducted into the National Cowgirl Museum and Hall of Fame in Fort Worth, Texas, in 2016. [3] Goodnight is best known for her 1996 and 1998 statues The Day the Wall Came Down.
Bleu horses installation as seen from Highway 287. The sculptures are realistic enough to appear live from a distance, but are intended to be somewhat "impressionistic." To emphasize the elegance of the horse, the legs of the horse sculptures are one-third longer than those of real horses, [7] and they average 8 feet (2.4 m) high at the withers. [6]
Tukiainen made a realistic and detailed statue of the horse-riding Mannerheim. At its unveiling in 1960, the art world considered it outdated. In his contemporary works Tukiainen himself had already moved on from realism. [4] The features of the horse, its gait and which of the marshal's horses it actually represents have been discussed a lot.
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Victoria's art is inspired by the play of light, shadows, and the fine details found in realism. The artist puts great care into her work, ensuring that every tattoo captures these elements perfectly.
Butterfield has said, "I first used the horse images as a metaphorical substitute for myself – it was a way of doing a self-portrait one step removed from the specificity of Deborah Butterfield." [7] She also said, "These first horses were huge plaster mares whose presence was extremely gentle calm. They were at rest, and in complete ...
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