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The law of triviality is C. Northcote Parkinson's 1957 argument that people within an organization commonly give disproportionate weight to trivial issues. [1] Parkinson provides the example of a fictional committee whose job was to approve the plans for a nuclear power plant spending the majority of its time on discussions about relatively minor but easy-to-grasp issues, such as what ...
This "bicycle shed effect" is easily explained: true expertise on nuclear plants is rare, while everybody can have a say about bicycle sheds, and refreshments are clear and dear to all. Sadly, the "bicycle shed effect" can be noted on Wikipedia. Wikipedia is an encyclopedia, and theoretically every Wikipedian is working to build it.
This category aims to show all articles using embedded or thumbnailed Wikipedia/Wikimedia-video clips. Do not add articles where external videos are linked, like YouTube or similar. For the use of videos in Wikipedia articles, see WP:Videos , WP:Creation and usage of media files#Video and Commons:Video .
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
To prepare, I watch how-to videos and visualize myself riding forest-trail obstacles, past overgrown branches, over muddy logs and sudden turns obscured by the trees. Sometimes, while falling ...
Described as a "country tributary," Omaha's Farnam Street was the location of Automobile Row from the outset of car sales in Omaha. It was noted as "one of the best lots to choose from ever assembled between Chicago and San Francisco." With "five exclusive dealerships" in 1906, the strip was the prime location for car sales in Omaha. [3]
One TikTok trend involves “Get Ready With Me Videos” where employees film themselves getting laid off or fired. If things aren’t handled well by the company, the video can go viral.
It was produced by Ten Ten Films and Farnam Street II, and distributed by First Look International. With a budget of less than $1 million, filming began in May 2008, and production concluded that December. Cinematography was provided by David Doyle, Russell Holsapple composed the score, and Lee Percy worked as editor.