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Mughal-style miniature paintings are still being created today by a small number of artists in Lahore concentrated mainly in the National College of Arts. Although many of these miniatures are skillful copies of the originals, some artists have produced contemporary works using classic methods with, at times, remarkable artistic effect.
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The Mughal art style was born in the hands of Akbar, whose liberalism led to the unification of Hindu and Islamic elements of art. His court saw the translations of Persian and Sanskrit texts, and illustrations of the same were carried on simultaneously. [28] Miniatures produced during Jahangir's time testify to his sensitive eye for beauty.
Manohar Das, also Manohar or Manuhar, (fl. 1582–1624) was an Indian Hindu painter in the Mughal style. Manohar's father Basawan was a master painter in the Mughal emperor's court, where Manohar grew up. His father most likely instructed him, and later Manohar became a court painter as well.
Ragini Todi. Mughal, c. 1750. Salar Jung Museum. In 1570, Kshemakarna, a priest of Rewa in Central India, compiled a poetic text on the Ragamala in Sanskrit, which describes six principal Ragas—Bhairava, Malakoshika, Hindola, Deepak, Shri, and Megha—each having five Raginis and eight Ragaputras, except Raga Shri, which has six Raginis and nine Ragaputras, thus making a Ragamala family of ...
Bichitr (fl. 17th century) was an Indian painter during the Mughal period, patronized by the emperors Jahangir and Shah Jahan. [1] The earliest known painting of his is a mature work from c. 1615. He was possibly still active in 1660.
Govardhan (fl. 1595–1640) [1] was a Mughal era Indian painter of the Mughal school of painting. His father Bhavani Das, had been a minor painter in the imperial workshop. Like many other Mughal painters, they were Hindus. He joined the imperial service during the reign of Akbar and he continued his work till the reign of Shah Jahan. The ...
Three artists of the Chunar Ragamala introduce themselves as trained in the imperial workshops by Mir Sayyid Ali and Abd al-Samad and whole set is painted in "a rough, but vigorous and inventive adaptation of Mughal style". [52] Bundi painting, with its refined line and controlled palette, is a good example of a fact that some styles of ...
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