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A basic sound reinforcement system that would be used in a small music venue. The main loudspeakers for the audience are to the left and right of the stage. A row of monitor speakers pointing towards the onstage performers helps them hear their singing and playing.
[1] [2] Monitor systems have a range of sizes and complexity. A small pub or nightclub may have a single monitor speaker on stage so that the lead vocalist can hear their singing and the signal for the monitor may be produced on the same mixing console and audio engineer as the front-of-house mix. A stadium rock concert may use a large number ...
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
An audio engineer with audio console, at a recording session at the Danish Broadcasting Corporation. An audio engineer (also known as a sound engineer or recording engineer) [1] [2] helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound.
A near-field speaker is a compact studio monitor designed for listening at close distances (3 to 5 feet (0.9 to 1.5 m)), so, in theory, the effects of poor room acoustics are greatly reduced.) The 4310 was small enough to be placed on the recording console and listened to from much closer distances than the traditional large wall-(or "soffit ...
An extension to surround sound is 3D sound, used by formats such as Dolby Atmos. Known as object-based sound, this enables additional speakers to represent height channels, with as many as 64 unique speaker feeds. [23] [24] This has application in concert recordings, movies and videogames, and nightclub events. [25]
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When centered (at 12 o'clock), the law can be designed to send −3, −4.5 or −6 decibels (dB) equally to each bus. "Signal passes through both the channels at an equal volume while the pan pot points directly north." [1] If the two output buses are later recombined into a monaural signal, then a pan law of −6 dB is desirable. If the two ...