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A JBL floor monitor speaker cabinet with a 12" (30 cm) woofer and a "bullet" tweeter. Most monitor cabinets have a metal grille or woven plastic mesh to protect the loudspeaker. Monitor loudspeakers , also called foldback loudspeakers, are speaker cabinets used onstage to help performers to hear their singing or playing.
[1] [2] Monitor systems have a range of sizes and complexity. A small pub or nightclub may have a single monitor speaker on stage so that the lead vocalist can hear their singing and the signal for the monitor may be produced on the same mixing console and audio engineer as the front-of-house mix. A stadium rock concert may use a large number ...
A near-field speaker is a compact studio monitor designed for listening at close distances (3 to 5 feet (0.9 to 1.5 m)), so, in theory, the effects of poor room acoustics are greatly reduced.) The 4310 was small enough to be placed on the recording console and listened to from much closer distances than the traditional large wall-(or "soffit ...
This is accomplished either by scaling the image up or down as needed, creating a picture that does not have a 1:1 relationship between LCD image elements and pixels in the original image, or by displaying the image unscaled in the center of the monitor, filling the spaces on all sides with black pixels. While stand-alone LCD monitors generally ...
This is an important technique in creating the illusion of layered sound from in front of the speaker to behind it. [12]: 181 Before the advent of electronic reverb and echo processing, physical means were used to generate the effects. An echo chamber, a large reverberant room, could be equipped with a speaker and microphones. Signals were then ...
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A speaker connected to a smartphone. A speaker is an output device that produces sound through an oscillating transducer called a driver. The equivalent input device is a microphone. Speakers are plugged into a computer's sound card via a myriad of interfaces, such as a phone connector for analog audio, or SPDIF for digital audio.
In the mid-20th century, recordings were analog, made on 1 ⁄ 4-inch or 1 ⁄ 2-inch magnetic tape, or, more rarely, on 35 mm magnetic film, with multitrack recording reaching 8 tracks in the 1950s, 16 in 1968, and 32 in the 1970s. The commonest such tape is the 2-inch analog, capable of containing up to 24 individual tracks.
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