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A step outline (also informally called a beat sheet or scene-by-scene [1]) is a detailed telling of a story with the intention of turning the story into a screenplay for a motion picture. The step outline briefly details every scene of the screenplay's story, and often has indications for dialogue and character interactions.
The word "beat" is industry slang that was derived from a famous Russian writer who told someone that writing the script was just a matter of putting all the bits together. In his heavy accent he pronounced bits as "beats". [citation needed] A beat sheet is a document with all the events in a movie script to guide the writing of that script.
The Blake Snyder Beat Sheet has become "a staple in writing classes," [6] and critics have argued (positively and negatively) that the book differs from other screenwriting books due to "the absolute specificity of Snyder's formula, as well as its widespread adoption by the film industry."
Also one-shot cinema, one-take film, single-take film, continuous-shot film, or oner. A feature-length motion picture filmed in one long, uninterrupted take by a single camera, or edited in such a way as to give the impression that it was. opening credits (for a film) opening shot (for a scene) over cranking over the shoulder shot (OTS)
After two consecutive years of more than 20% gains for the S&P 500 — an achievement not seen since the late 1990s — Wall Street strategists foresee a slower pace of gains for the benchmark ...
WASHINGTON (Reuters) - Dreanda Cordero reentered the job market this year after a five-year break to raise three children, landing a data entry position she was not thrilled about that required on ...
From Boeing's turbulence and a catastrophic hurricane, to Donald Trump's election victory, "Sunday Morning" host Jane Pauley looks back at key events of a year that was monumental.
Fold-in is the technique of taking two sheets of linear text (with the same linespacing), folding each sheet in half vertically and combining with the other, then reading across the resulting page, such as in The Third Mind. It is a joint development between Burroughs and Brion Gysin. [2] William S. Burroughs, popularizer of the technique