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In the spring of 1865, Hall wrote "Jesus Paid It All" "on the fly-leaf of the New Lute of Zion hymnal, in the choir of the Methodist Episcopal Church, Baltimore." [3] [4] [5] Hall then shared the lyrics with her pastor who connected her with the church organist, John Grape (1835-1915), who had recently shared a new tune he had written.
"Glorious Things of Thee Are Spoken", also called "Zion, or the City of God", [1] is an 18th-century English hymn written by John Newton, who also wrote the hymn "Amazing Grace". Shape note composer Alexander Johnson set it to his tune "Jefferson" in 1818, [ 2 ] and as such it has remained in shape note collections such as the Sacred Harp ever ...
In the leadup to the weekend of the October 2023 General Conference, the church released new details about the new music. The hymnbook and children's songbook will be consolidated into a single volume, featuring 450-500 selections. The "core collection" will be released in 2024, with the new music book now titled "Hymns—for Home and Church".
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
The three verses of the song describe in turn, a crowd cheering Jesus Christ's triumphal entry into Jerusalem on Palm Sunday, Jesus's crucifixion on Good Friday, and the eventual "New Jerusalem" (Zion) of universal peace and brotherhood, which is foretold in Isaiah 2:4 [2] and Isaiah 11:6-9. [3]
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The famed English composer and music historian Ralph Vaughan Williams (1872–1958) referred to this as one of the greatest hymn tunes. As the musical editor Vaughan Williams included it in The English Hymnal in 1906. It is now published in 195 hymnals worldwide, including The New English Hymnal. It alternates phrases of 8 and 7 notes.
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