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Odilon Redon was born in Bordeaux, Aquitaine, to a prosperous family.Redon's father made his fortune in the slave trade in Louisiana in the 1830s. [1] Redon was conceived in New Orleans and the couple made the transatlantic journey back to France while his mother Marie Guérin, a French Creole woman, was pregnant with his brother Gaston. [1]
The Dial published art as well as poetry and essays, with artists ranging from Vincent van Gogh, Renoir, Henri Matisse, and Odilon Redon, through Oskar Kokoschka, Constantin Brâncuși, and Edvard Munch, and Georgia O'Keeffe and Joseph Stella.
Gordon, Rae Beth (1993). "The Function of the Metaphore Filée in En Rade," Nineteenth-Century French Studies, Vol. 21 (3/4), pp. 449–460. Grigorian, Natasha (2008). "Dreams, Nightmares, and Lunacy in En rade: Odilon Redon’s Pictorial Inspiration in the Writings of J.-K. Huysmans," Comparative Critical Studies, (5), pp. 221
Oannès – Adapa from Odilon Redon in the Kröller-Müller Museum. Adapa was a Mesopotamian mythical figure who unknowingly refused the gift of immortality.The story, commonly known as "Adapa and the South Wind", is known from fragmentary tablets from Tell el-Amarna in Egypt (around 14th century BC) and from finds from the Library of Ashurbanipal, Assyria (around 7th century BC).
La Revue wagnérienne was a French magazine covering the artistic and philosophical ideas of German composer Richard Wagner based in Paris, France. [1] It was established by Édouard Dujardin, Téodor de Wyzewa, and Houston Stewart Chamberlain.
The Chariot of Apollo (1905–1914), by Odilon Redon, Musée d'Orsay, Paris. Odilon Redon was a pupil of Stanislas Gorin, Jean-Léon Gérôme, Rodolphe Bresdin and Henri Fantin-Latour. [61] He developed a fantastic and dreamlike subject matter, influenced by the literature of Edgar Allan Poe, which largely preceded surrealism.
He wrote books on Gericault, Odilon Redon and Japonisme. Selected publications. Das Problem der Entwicklung in der modernen Kunstwissenschaft.
The Cyclops (Le Cyclope in French) is a painting by Odilon Redon that depicts the myth of the love of Polyphemus for the naiad Galatea. It was painted in oils on board, then mounted on wood, and is now in the Kröller-Müller Museum in the Netherlands. [1] The painting has been variously dated between 1898 and 1914.
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