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Pickups, apart from optical types, are inherently passive transducers. "Passive" pickups are usually wire-wound around a magnet, and are the most common type used. They can generate electric potential without need for external power, though their output is relatively low, and the harmonic content of output depends greatly on the winding.
High-speed steel. Mushet steel; HSLA steel ... ; used for permanent magnets in guitar pickups ... Heusler alloy, a range of ferromagnetic alloys (66% copper, cobalt ...
Guitar wiring refers to the electrical components, and interconnections thereof, inside an electric guitar (and, by extension, other electric instruments like the bass guitar or mandolin). It most commonly consists of pickups , potentiometers to adjust volume and tone, a switch to select between different pickups (if the instrument has more ...
M42 is a molybdenum-series high-speed steel alloy with an additional 8% cobalt. [14] It is widely used in metal manufacturing industries because of its superior red-hardness as compared to more conventional high-speed steels, allowing for shorter cycle times in production environments due to higher cutting speeds or from the increase in time ...
The Fender Noiseless series is a line of electric guitar pickups made by the Fender Musical Instruments Corporation designed to cancel 60 cycle (Hz) hum noise while retaining the characteristic sound of single coil pickups. Introduced in 1998, these pickups consist of a pair of single coils stacked one on top of the other, compacted so as to ...
The traditional Stratocaster design guitar features three single coils. [4] The guitarist can control which pickup or combination of pickups are selected with a lever switch. The pickup positions are usually referred to as the bridge, middle and neck pickups based on their proximity to those parts of the instrument. The neck pickup typically ...
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In the mid-1950s Gibson looked to create a new guitar pickup different from existing popular single coil designs. Gibson had already developed the Charlie Christian pickup and P-90 in the 1930s and 40s; however, these designs—like competitor Fender's single-coil pickups—were fraught with inherent 60-cycle hum sound interference.
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