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A sound bite or soundbite [1] [2] is a short clip of speech or music extracted from a longer piece of audio, often used to promote or exemplify the full length piece. In the context of journalism, a sound bite is characterized by a short phrase or sentence that captures the essence of what the speaker was trying to say, and is used to summarize information and entice the reader or viewer.
Hundreds of American live-action films are in the public domain because they were never copyrighted or because their copyrights have since expired. These films may be viewed online at websites such as the Internet Archive [22] and can also be downloaded from various websites. [23] Notable examples of such public-domain films include: Charade (1963)
There are multiple licenses which aim to release works into the public domain. In 2000 the WTFPL was released as a public domain like software license. [58] Creative Commons (created in 2002 by Lawrence Lessig, Hal Abelson, and Eric Eldred) has introduced several public-domain-like licenses, called Creative Commons licenses. These give authors ...
All motion pictures made and exhibited before 1930 are indisputably in the public domain in the United States. This date will move forward one year, every year, meaning that films released in 1930 will enter the public domain in 2026, films from 1931 in 2027, and so on, concluding with films from 1977 entering the public domain in 2073.
In the European Union and Canada, sound recordings were copyrighted for 50 years until 2013. On 1 January 2013, the Beatles' single "Love Me Do" entered the public domain. [7] As of November 2013, European sound recordings are now protected for 70 years, which is not retroactive. [8] In 2015, Canada changed the copyright length to 70 years. [9]
Babcock's holding - that "In the United States, that body of law includes the bedrock principle that works in the public domain remain in the public domain. Removing works from the public domain violated Plaintiffs’ vested First Amendment interests" - therefore no longer applies.
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Robert A. Baron argues in his essay "Making the Public Domain Public" that "because the public domain is not a legally sanctioned entity," a statement disclaiming a copyright or "granting" a work into the public domain has no legal effect whatsoever, and that the owner still retains all rights to the work not otherwise released. The owner would ...