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A sound bite or soundbite [1] [2] is a short clip of speech or music extracted from a longer piece of audio, often used to promote or exemplify the full length piece. In the context of journalism, a sound bite is characterized by a short phrase or sentence that captures the essence of what the speaker was trying to say, and is used to summarize information and entice the reader or viewer.
The term public domain is not normally applied to situations where the creator of a work retains residual rights, in which case use of the work is referred to as "under license" or "with permission". As rights vary by country and jurisdiction, a work may be subject to rights in one country and be in the public domain in another.
In the European Union and Canada, sound recordings were copyrighted for 50 years until 2013. On 1 January 2013, the Beatles' single "Love Me Do" entered the public domain. [7] As of November 2013, European sound recordings are now protected for 70 years, which is not retroactive. [8] In 2015, Canada changed the copyright length to 70 years. [9]
Hundreds of American live-action films are in the public domain because they were never copyrighted or because their copyrights have since expired. These films may be viewed online at websites such as the Internet Archive [22] and can also be downloaded from various websites. [23] Notable examples of such public-domain films include: Charade (1963)
Hence, the work of an author who died before 1955 is normally in the public domain in Australia; but the copyright of authors was extended to 70 years after death for those who died in 1955 or later, and no more Australian authors would come out of copyright until 1 January 2026 (those who died in 1955).
Publication of an otherwise protected work by the U.S. government does not put that work in the public domain. For example, government publications may include works copyrighted by a contractor or grantee; copyrighted material assigned to the U.S. Government; or copyrighted information from other sources. [5]
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Robert A. Baron argues in his essay "Making the Public Domain Public" that "because the public domain is not a legally sanctioned entity," a statement disclaiming a copyright or "granting" a work into the public domain has no legal effect whatsoever, and that the owner still retains all rights to the work not otherwise released. The owner would ...