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The psychology of film is a sub-field of the psychology of art that studies the ... Explicit awareness about the processes by which meaning is created by the visual ...
Creators and/or film distributors or publishers who seek to distance themselves from the negative connotations of horror often categorize their work as a psychological thriller. [9] The same situation can occur when critics label a work to be a psychological thriller in order to elevate its perceived literary value. [8]
A motion picture review is a work of film criticism addressing the merits of one or more motion pictures. Generally, the term "movie review" implies a work of journalistic film criticism rather than of academic criticism. Such reviews have appeared in newspapers and printed periodicals since the beginning of the film industry, and now are ...
Chicago critic Roger Ebert (right) with director Russ Meyer. Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly ...
Psychoanalytic film theory is a school of academic thought that evokes the concepts of psychoanalysts Sigmund Freud and Jacques Lacan. The theory is closely tied to Critical theory, Marxist film theory, and Apparatus theory. The theory is separated into two waves. The first wave occurred in the 1960s and 70s.
Psychological drama, or psychodrama, [1] is a subgenre of drama and psychological fiction literatures that generally focuses upon the emotional, mental, and psychological development of the protagonists and other characters within the narrative, which is highlighted by the drama.
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Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]