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Yves Klein (April 28, 1928 – June 6, 1962) (see Neo-Dada) Hans Leybold (April 2, 1892 – September 8, 1914) Filippo Tommaso Marinetti (December 22, 1876 – December 2, 1944) Agnes Elizabeth Ernst Meyer (1887 – 1970) Pranas Morkūnas (October 9, 1900 – December 28, 1941) Clément Pansaers (May 1, 1885, – October 31, 1922)
[6] An active artist, primarily a photographer, as well as activist in the service of modern art, Stieglitz provided an avenue for the thought and work of the proto-Dada artists as well as the Dada artists with his journal and gallery, both named 291. Stieglitz first made contact with the (soon to be) Dadaists at the notorious Armory show of ...
Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. It began in Zürich, Switzerland, in 1916, and spread to Berlin shortly thereafter. [33] To quote Dona Budd's The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of World War I.
Hans Johannes Siegfried Richter (/ ˈ r ɪ k t ər /; German: [ˈʁɪçtɐ]; 6 April 1888 – 1 February 1976) was a German Dada painter, graphic artist, avant-garde film producer, and art historian. In 1965 he authored the book Dadaism about the history of the Dada movement.
Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913. This is an incomplete list of works by the French artist Marcel Duchamp (28 July 1887 – 2 October 1968), painter, sculptor, chess player, and writer whose work is associated with Cubism, conceptual art, and Dada.
Kate T. Steinitz: art into life into art : a retrospective of the life and work of one of the most diverse Bauhaus and Dada artists. Irvine, Calif: The Museum. Kate Steinitz: Art and Collection: Avant-Garde Art in Germany in the 1920s and 1930s. San Bernardino, CA: The Art Gallery, California State College San Bernardino, April 10 - May 14, 1982.
The term is commonly used in French, English, and German to refer to people or works that are experimental or innovative, particularly with respect to art and culture. Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo , primarily in the cultural realm.