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Yves Klein (April 28, 1928 – June 6, 1962) (see Neo-Dada) Hans Leybold (April 2, 1892 – September 8, 1914) Filippo Tommaso Marinetti (December 22, 1876 – December 2, 1944)
[6] An active artist, primarily a photographer, as well as activist in the service of modern art, Stieglitz provided an avenue for the thought and work of the proto-Dada artists as well as the Dada artists with his journal and gallery, both named 291. Stieglitz first made contact with the (soon to be) Dadaists at the notorious Armory show of ...
The artists were determined to counteract the more conservative Karlsruhe art scene with their works, which could be assigned at the time to Expressionism or Dadaism. The group made provocative statements and actions; for example, phallic symbols drawn with chalk on the walls of the house pointed the way to the exhibition space. [ 4 ]
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. It began in Zürich, Switzerland, in 1916, and spread to Berlin shortly thereafter. [33] To quote Dona Budd's The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of World War I.
Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
From Expressionism through Dadaism, Constructivism and Neoplasticism, he was one of the major figures of avant-garde art in the 1910s and 1920s [3] and a catalyst for intellectuals and artists in many disciplines. Richter helped organise exhibitions which revived interest in Dada, both in the United States and Europe.
Kate T. Steinitz: art into life into art : a retrospective of the life and work of one of the most diverse Bauhaus and Dada artists. Irvine, Calif: The Museum. Kate Steinitz: Art and Collection: Avant-Garde Art in Germany in the 1920s and 1930s. San Bernardino, CA: The Art Gallery, California State College San Bernardino, April 10 - May 14, 1982.
The circle of friends and artists frequented the Arensberg Salon in Manhattan has been represented in a visual reconstruction Chez Arensbergs by the French painter André Raffray (1925-2010), created upon a commission by the New York art dealer and dada specialist Francis M. Naumann, who also actively participated in the creative process.