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Holy Family (Watteau) The Holy Family with Saint John the Baptist and an Angel; Holy Family under an Oak Tree; The Holy Family with a Little Bird; Holy Family with a Shepherd; Holy Family with Angels (Parmigianino) Holy Family with Saint Anne and the Infant Saint John; Holy Family with Saint Catherine and Saint John the Baptist
The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory or The Three Generations is an oil painting on canvas executed in 1769 by the Spanish artist Francisco Goya. It is an early work by the artist, depicting the Holy Family, with the Virgin Mary's parents saint Anne and saint Joachim and God the Father and the Holy Spirit.
Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens.
The Holy Family with Three Hares is a c. 1496 woodcut by German artist Albrecht Dürer (1471–1528). It depicts the Christian Holy Family of Mary , Joseph , and the infant Jesus , in an enclosed garden , symbolizing Mary's virginity.
Hand of God (art) The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory; The Holy Family with the Dragonfly; Holy Thorn Reliquary; I.
Variously dated between 1714 and 1721, Holy Family is possibly the rarest surviving religious subject in Watteau's art, related to either the Gospel of Matthew, or the Gospel of Pseudo-Matthew; it depicts the Virgin, the Christ Child, and Saint Joseph amid a landscape, surrounded by putti.
The Holy Family is a 1518 painting of the Holy Family (Jesus, Mary and Joseph), Saint Elisabeth, an infant John the Baptist and two angels. [1] It is signed by Raphael, but most of the work was delegated to his workshop assistants. [2] It was commissioned by Pope Leo X as a gift to Claude, wife of Francis I of France, hence its name.
Rembrandt portrays the Holy Family as a typical family of Amsterdam in his day. In the foreground Jesus is asleep in the same style of wicker crib that can be seen in period paintings of mothers with babies by Pieter de Hooch. Mary looks up from her book to take a peek at the sleeping child under the crib curtain (Dutch: klamboe).
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