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Accent (or spot) microphone placement. Often, the tonal and ambient qualities will sound very different between a distant- and close-miked pickup. Under certain circumstances, it's difficult to obtain a naturally recorded balance when mixing the two together.
The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called a boom mic), their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom pole to enter the camera's frame. [1]
This can be particularly useful when placing microphones on a drum stand when the microphone stands must compete for space with things like cymbal stands. Boom arms are offered both in fixed length and adjustable (telescoping) lengths. Another handy device for adjusting microphone placement is a flexible goose neck tube. Made of a spiral-wound ...
Noise-cancelling microphones can assist in this, but do not substitute for proper mic placement and gain settings. If you use a headset boom microphone, be aware that lower-cost models have omni-directional elements that will pick up background noise. Models with uni-directional or noise-cancelling elements are best.
The microphone's output is usually low-pass filtered. [25] [28] A simple surround microphone configuration involves the use of a front array in combination with two backward-facing omnidirectional room microphones placed about 10–15 meters away from the front array. If echoes are notable, the front array can be delayed appropriately.
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This means that (1) moving the microphone closer to the sound source increases the signal level produced by the microphone, and (2) moving the microphone further away from undesirable noise sources will diminish the amount of noise in the microphone signal. Microphone placement is therefore an important aspect of gain staging [citation needed].
The internal electronic circuitry of an active noise-canceling mic attempts to subtract noise signal from the primary microphone. The circuit may employ passive or active noise canceling techniques to filter out the noise, producing an output signal that has a lower noise floor and a higher signal-to-noise ratio .
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