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The Xiabuzan (Chinese: 下部讚 [1]) is a Chinese Manichaean hymn scroll found by British archaeologist Aurel Stein in the Mogao Grottoes. It contains a series of hymns used in religious ceremonies. It is currently held at the British Library, where it is catalogued as number S.2659. [2] [3]
Chinese Manichaeism, also known as Monijiao (Chinese: 摩尼教; pinyin: Móníjiào; Wade–Giles: Mo 2-ni 2 Chiao 4; lit. 'religion of Moni') or Mingjiao (Chinese: 明教; pinyin: Míngjiào; Wade–Giles: Ming 2-Chiao 4; lit. 'religion of light or 'bright religion'), is the form of Manichaeism transmitted to and currently practiced in China.
After the introduction of hanging scrolls into Manichaean artistic production by the 10th century, it started to integrate a number of individual canonical images in one composite display. "The result was the emergence of modified canonical images. The Diagram of the Universe is an example of such a modified image." [6]
Eight silk hanging scrolls with Manichaean didactic images from southern China from between the 12th and the 15th centuries, which can be divided into four categories: Two single portraits (depicting Mani and Jesus) Icon of Mani; Manichaean Painting of the Buddha Jesus; One scroll depicting Salvation Theory (Soteriology)
Zsuzsanna Gulácsi states in her article A Visual Sermon on Mani's Teaching of Salvation: . The Manichaean origin of this Chinese painting is unquestionable for three principal reasons: its dedicatory inscription that bestowed the object on a Chinese Manichaean temple most likely at Ningbo, in Zhejiang province; the iconography of its main deity, Mani, as well as that of the elect (Manichaean ...
Manichaeism presents an elaborate conflict between the spiritual world of light and the material world of darkness. The beings of both the world of darkness and the world of light have names. There are numerous sources for the details of the Manichaean belief [example needed].
The seal of Mani, the oldest known Manichaean art. Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures. [1]One of Mani's primary beliefs was that the arts (namely painting, calligraphy, and music) were of the same esteem as the divine spirit (Middle Persian: Mihryazd), believing that the creation of art was comparable to god's creation of ...
The Syriac inscription engraved around must also be visible through the convex surface: "M’ny šlyḥ’ d-yyšw‘ mšyḥ’", meaning literally "Mani, messenger of the messiah". [3] [4] The text may be interpreted as "Mani, the apostle of Jesus Christ", [3] making this seal is the first Manichaean artwork to mention Jesus. In the early ...