Search results
Results from the WOW.Com Content Network
Bertolt Brecht in 1954. Epic theatre (German: episches Theater) is a theatrical movement that arose in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale ...
Conceptualised by 20th century German director and theatre practitioner Bertolt Brecht (1898–1956), " The Modern Theatre Is the Epic Theatre " is a theoretical framework implemented by Brecht in the 1930s, which challenged and stretched dramaturgical norms in a postmodern style. [1] This framework, written as a set of notes to accompany ...
Mother Courage and Her Children. Mother Courage and Her Children (German: Mutter Courage und ihre Kinder) is a play written in 1939 by the German dramatist and poet Bertolt Brecht (1898–1956), with significant contributions from Margarete Steffin. [1] Four theatrical productions were produced in Switzerland and Germany from 1941 to 1952, the ...
Eugen Berthold Friedrich Brecht [a] (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet.. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill and began a life-long ...
The Caucasian Chalk Circle (German: Der kaukasische Kreidekreis) is a play by the German modernist playwright Bertolt Brecht. An example of Brecht's epic theatre, the play is a parable about a peasant girl who rescues a baby and becomes a better mother than the baby's wealthy biological parents. The play was written in 1944 while Brecht was ...
The Good Person of Szechwan. The Good Person of Szechwan (German: Der gute Mensch von Sezuan, first translated less literally as The Good Man of Setzuan) [ 1 ] is a play written by the German dramatist Bertolt Brecht, in collaboration with Margarete Steffin and Ruth Berlau. [ 2 ] The play was begun in 1938 but not completed until 1941, while ...
The play is similar in some respects to the film The Great Dictator (1940), which also featured an absurd parody of Hitler ("Adenoid Hynkel") by Charlie Chaplin, Brecht's favorite film actor. [1] Dramatically Arturo Ui is in keeping with Brecht's "epic" style of theatre. It opens with a prologue in the form of a direct address to the audience ...
The production employed Brecht's epic theatre techniques to defamiliarize the behaviour of the characters and to make explicit the play's underlying message. The play consists of a series of playlets, portraying National Socialist Germany of the 1930s as a land of poverty, violence, fear and pretence.