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A suncatcher or light catcher is a small reflective, refractive, and/or iridescent ornament. It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. A suncatcher is like the optical equivalent of a wind chime. Some designs are simple and abstract with perhaps some mobile -like chained elements, while more ...
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
William J. Blenko. William J. Blenko was born in London, England in 1853. He worked in a glass factory in his youth. In 1893, he emigrated to Kokomo, Indiana, in the US, where he established the first American factory to produce sheet glass for stained glass windows. In 1903, he was forced to close his factory and return to England as a result ...
Contents. List of works by Christopher Whall. Jesus blessing the children a work by Whall in Holy Trinity Church, Bracknell. Shown courtesy Robin Croft. This is a list of the stained-glass works of Christopher Whall (1849–1924). He was a gentle, friendly, great-hearted man, in spirit very like the knightly crusaders and wise friendly saints ...
Tiffany glass refers to the many and varied types of glass developed and produced from 1878 to 1929-1930 [1][2][3][4] at the Tiffany Studios in New York City, by Louis Comfort Tiffany and a team of other designers, including Clara Driscoll, [5][6] Agnes F. Northrop, [7] and Frederick Wilson. In 1865, Tiffany traveled to Europe, and in London he ...
Stained glass window by Sellers in the chapel of The Bowery Mission. Benjamin Sellers (1860–1930) [1] was a stained glass artisan in the Northeastern US. He was a practitioner of the opalescent style of stained glass popularized by John La Farge and Louis Comfort Tiffany in the late 19th century.
The primary aim of conservation is to slow the rate of deterioration, caused by various factors, to the point where the loss of significance, such as historic information and/or aesthetic value can be kept to a minimum (Pye 2001, Ch. 5). However, in the case of stained glass, these efforts are complicated by the nature of the medium itself.
G. Owen Bonawit (1891–1971) was an artist whose studio created thousands of pieces of stained glass for Yale, Duke, Northwestern, and Southeast Missouri State universities; Connecticut College; Bethesda By The Sea Episcopal Church in Palm Beach, Florida [1] and at private homes. There are, by one count, 887 pieces in Yale 's Sterling Memorial ...
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