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Retching (also known as dry heaving) is the reverse movement (retroperistalsis) of the stomach and esophagus without vomiting. [1] It can be caused by bad smells or choking, or by withdrawal from certain medications, or after vomiting has completed.
The Urdu word ہے "hai" (be) is often dropped. For example, Urdu "Mujhē mālūm hai" "مجھے معلوم ہے" (I know it) would be "Mērē ku mālum" "میرے کو معلُم". Aisich اَیسِچ - No reason/without any reason (casually) as in "ایسچ کرا" "I did it without any reason"
If the vomiting reflex continues for an extended period with no appreciable vomitus, the condition is known as non-productive emesis or "dry heaves", which can be painful and debilitating. [citation needed] Color of vomit [16] Bright red in the vomit suggests bleeding from the esophagus
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Note that Hindi–Urdu transliteration schemes can be used for Punjabi as well, for Gurmukhi (Eastern Punjabi) to Shahmukhi (Western Punjabi) conversion, since Shahmukhi is a superset of the Urdu alphabet (with 2 extra consonants) and the Gurmukhi script can be easily converted to the Devanagari script.
It can hurt you, the other person and the relationship.
An English-Urdu bilingual sign at the archaeological site of Sirkap, near Taxila. The Urdu says: (right to left) دو سروں والے عقاب کی شبيہ والا مندر, dō sarōñ wālé u'qāb kī shabīh wāla mandir. "The temple with the image of the eagle with two heads." Most languages of Pakistan are written in the Perso-Arabic ...
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]