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The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir" of Bach's Wachet auf, ruft uns die Stimme, BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. [5] "
Bass range: The bass is the lowest male voice. The bass voice has the lowest tessitura of all the voices. The typical bass range lies between E2 (the second E below middle C) to E4 (the E above middle C). In the lower and upper extremes of the bass voice, some basses can sing from C2 (two octaves below middle C) to G4 (the G above middle C). [3]
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E 2 –E 4).
The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.
Alto vocal range, F 3 to F 5, [citation needed] notated on the treble staff (left) and on piano keyboard in green with the yellow key marking middle C The contralto voice is a matter of vocal timbre and tessitura as well as range, and a classically trained solo contralto would usually have a range greater than that of a normal choral alto part ...
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
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Potential sizes include: great bass in F 2; bass in B ♭ 2 or C 3; basset in F 3 or G 3; tenor in B ♭ 3, C 4 or D 4; alto in F 4, G 4 or A 4; and soprano in C 5 or D 5. [21] The alto in F 4 is the standard recorder of the Baroque, although there is a small repertoire written for other sizes.