Search results
Results from the WOW.Com Content Network
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
to abandon someone, or to drop out ("she walked out on me") (orig. US) (n.) a kind of strike action (orig. US) the act of leaving a meeting in protest (adj.) (of a room in a building) featuring outdoor access; (n.) such an access ("full walkout basement", "walkout to the deck") (n.) one who goes out of a store or shop without buying anything
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
A plot summary is not a recap. It should not cover every scene or every moment of a story. A summary is not meant to reproduce the experience of reading or watching the work. In fact, readers might be here because they didn't understand the original. Just repeating what they have already seen or read is unlikely to help them.
Timeline of fabula vs syuzhet in Memento. In narratology, fabula (Russian: фабула, IPA:) refers to the chronological sequence of events within the world of a narrative and syuzhet [1] (Russian: сюжет, IPA: [sʲʊˈʐɛt] ⓘ) equates to the sequence of events as they are presented to the reader.
If you leave out important things or events that you know about, the story is strengthened. If you leave or skip something because you do not know it, the story will be worthless. The test of any story is how very good the stuff that you, not your editors, omit." [8] A writer explained how it brings a story gravitas:
The essay depicted literary realism as a "used up" tradition; Barth's description of his own work, which many thought nailed a core trait of postmodernism, is "novels which imitate the form of a novel, by an author who imitates the role of Author".
Epic poem – a lengthy story of heroic exploits in the form of a poem. Essay - a short literary composition that reflects the author's outlook or point; Fable – a didactic story, often using animal characters who behave like people. Fantasy – a story about characters that may not be realistic and about events that could not really happen.