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Paffendorf is a German electronic dance music project. The group consists of Ramon Zenker , also producer of Fragma , Gottfried Engels and Nicolas Valli. The project is represented by the Cologne DJ Christian Schmitz, active on Tiger Records.
The song was penned in "South African creole English", [3] the vernacular of young, English-speaking South Africans, with liberal sprinklings of Afrikaans words and phrases. The language was that of Taylor's students, to whom he taught Latin in the southern suburbs of Johannesburg .
All one, strong and free. II Africa is our own motherland, Fashion'd with and blessed by God's good hand, Let us all her people join as one, Brothers under the sun. All one, strong and free. III One land and one nation is our cry, Dignity and peace 'neath Zambia's sky, Like our noble eagle in its flight, Zambia, praise to thee. All one, strong ...
The song is similar to Eddy Grant's "Hello Africa", but in the style of hip hop. It peaked at number one in Austria and achieved a great success in most of the other European countries, including Sweden, Germany and Switzerland. Dr. Alban has stated that "Hello Afrika" took about two months to record.
[2] Scott-Heron's lyrics expressed his Pan-African and transnational leanings, likening apartheid to the disenfranchisement of African Americans in the United States. [2] The song ends by comparing Johannesburg to a number of cities in the US, thereby noting the "absence of an achieved freedom on American soil", according to scholar Stéphane ...
Billings wrote "Africa" some time before 1770 and included it in his first published hymnbook, The New England Psalm Singer. Later he revised it, publishing a new version in his The Singing Master's Assistant (1778). He made additional revisions, publishing it again in Music in Miniature (1779). It is the latter two versions that are performed ...
Indépendance Cha Cha" (French; "Independence cha cha") was a song performed by Joseph Kabasele (best known by his stage name Le Grand Kallé) from the group L'African Jazz in the popular Congolese rumba style. The song has been described as "Kabasele's most memorable song" and one of the first Pan-African hits. [2]
The song launched the international career of the South African group and introduced Zulu isicathimiya music to new western audiences. [2] Shabalala provided the music, from the melody of a traditional Zulu wedding tune, and new Zulu words. Simon provided the English lyrics. [3]