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Open B Tuning is an open tuning for guitar. The open string notes in this tuning are B-F ♯-B-F ♯-B-D ♯. It uses the three notes that form the triad of a B major chord: B, the root note; F ♯, the perfect fifth; and D ♯, the major third. When the guitar is strummed without fretting any of the strings, a B major chord is sounded. This ...
Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♠major, and G minor chords would appear as 6-. If a chord root is not in the scale, the symbols ♠or ♯ can be added. In the key of C major, an E ♠triad would be notated as ♠3.
As previously stated, a dominant seventh is a four-note chord combining a major chord and a minor seventh. For example, the C7 dominant seventh chord adds B â™ to the C-major chord (C,E,G). The naive chord (C,E,G,B â™) spans six frets from fret 3 to fret 8; [50] such seventh chords "contain some pretty serious stretches in the left hand". [47]
The term also expresses the fact that, compared to Major chord open tunings, by fretting the lowered string at the first fret, it is possible to produce a major chord very easily. [14] Cross-note or open E-minor was used by Bukka White and Skip James. [15] Cross-note tunings include (low to high): Cross-note A: E-A-E-A-C-E
The irregularity has a price. Chords cannot be shifted around the fretboard in the standard tuning E–A–D–G–B–E, which requires four chord-shapes for the major chords. There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings. [44] These are called inversions.
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