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Art music (alternatively called classical music, cultivated music, serious music, and canonic music [1]) is music considered to be of high phonoaesthetic value. [2] It typically implies advanced structural and theoretical considerations [ 3 ] or a written musical tradition. [ 4 ]
Beethoven's musical output has traditionally been divided into three periods, a classification that dates to the first years after the composer's death in 1827 and was formalised with the publication of Wilhelm von Lenz's influential work Beethoven et ses trois styles (Beethoven and his Three Styles). [3]
Arabic classical music: Andalusi classical music: 9th century AD. [citation needed] Likely practiced since the early 9th century, the musical tradition of Al-Andalus is notable for spreading Middle Eastern and North African musical instruments to Western Europe, where they would become staple instruments of Western tradition. [11]
Music is an art form which combines pitch, rhythm, and dynamic to create sound. It can be performed using a variety of instruments and styles and is divided into genres such as folk, jazz, hip hop, pop, and rock, etc. As an art form, music can occur in live or recorded formats, and can be planned or improvised.
An art song is most often a musical setting of an independent poem or text, [1] "intended for the concert repertory" [2] "as part of a recital or other relatively formal social occasion". [3] While many vocal music pieces are easily recognized as art songs, others are more difficult to categorize. For example, a wordless vocalise written by a ...
These categories are not exhaustive. A music platform, Gracenote, listed more than 2000 music genres (included by those created by ordinary music lovers, who are not involved within the music industry, these being said to be part of a 'folksonomy', i.e. a taxonomy created by non-experts).
His major contribution to musical expressionism, however, were very late examples, the operas Wozzeck, composed between 1914 and 1925, and unfinished Lulu. [17] Wozzeck is highly expressionist in subject material in that it expresses mental anguish and suffering and is not objective, presented, as it is, largely from Wozzeck's point of view ...
The same music could be associated with a wide range of emotional responses in the listener. Chabanon rejected the rhetorical approach to music, because he did not believe that there was a simple correspondence between musical characteristics and emotional affects. Much subsequent philosophy of music depended on Chabanon's views. [9]