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I vitelloni (Italian pronunciation: [i vitelˈloːni], literally "The bullocks", Romagnol slang for "The slackers" or "The layabouts") is a 1953 Italian comedy drama film directed by Federico Fellini from a screenplay written by himself, Ennio Flaiano, and Tullio Pinelli.
Saint Philip Neri: I Prefer Heaven (Italian: Preferisco il Paradiso) is a 2010 Italian television movie written and directed by Giacomo Campiotti. The film is based on real life events of Roman Catholic priest and then Saint Philip Neri .
Boccaccio '70 is a 1962 comedy anthology film directed by Vittorio De Sica, Federico Fellini, Mario Monicelli and Luchino Visconti from an idea by Cesare Zavattini.It consists of four episodes, each by one of the directors, all about a different aspect of morality and love in modern times in the style of Giovanni Boccaccio.
Uccidete il vitello grasso e arrostitelo (internationally released as Kill the Fatted Calf and Roast It) is a 1970 Italian giallo film directed by Salvatore Samperi. [ 1 ] [ 2 ] Plot
Empty Eyes (Italian: Il sole negli occhi, lit. 'The Sun in the Eyes') is a 1953 Italian drama film directed by Antonio Pietrangeli.It stars Gabriele Ferzetti. [1] In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
The Cynic, the Rat and the Fist (Italian: Il cinico, l'infame, il violento, lit. 'The Cynic, the Infamous, the Violent') is an Italian poliziotteschi film directed in 1977 by Umberto Lenzi and third entry into the Tanzi/Moretto/Monnezza shared universe [2] [time needed] as well as serving as a direct sequel to The Tough Ones.
The series "A Man in Full" wraps up with Croker and Peepgrass having killed each other off, Conrad Hensley freed from prison and presumably happily preparing for fatherhood with pregnant wife Jill.
In his review for Cineuropa, Davide Abbatescianni defined the film as "another missed opportunity."He highlighted how "the acting performances, which are all sadly below par, are heavily constricted by weak writing when it comes to character construction, and superficial when exploring conflict," adding that "the film’s narrative subplots are disappointingly predictable."