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Title page of the second edition of Das Judenthum in der Musik, published in 1869 "Das Judenthum in der Musik" (German for Judaism in Music, but perhaps more accurately understood in contemporary language as Jewishness in Music), [1] is an antisemitic essay by composer Richard Wagner which criticizes the influence of Jews and their "essence" on European art music, arguing that they have not ...
Wagner, over the course of his life, produced a huge amount of written material analyzing every aspect of himself, including his operas and his views on Jews (as well as many other topics); these purportedly 'Jewish' characterizations are never mentioned, nor are there any such references in Cosima Wagner's copious diaries.
Mary Jane Oliver (September 10, 1935 – January 17, 2019) was an American poet who won the National Book Award and the Pulitzer Prize. She found inspiration for her work in nature and had a lifelong habit of solitary walks in the wild.
Wagner's birthplace, at 3, the Brühl, Leipzig Richard Wagner was born on 22 May 1813 to an ethnic German family in Leipzig, then part of the Confederation of the Rhine.His family lived at No 3, the Brühl (The House of the Red and White Lions) in Leipzig's Jewish quarter.
The surname Wagner is derived from the Germanic surname Waganari, meaning ' wagonmaker ' or ' wagon driver. ' The surname is German but is also well-established in Scandinavia, the Netherlands, eastern Europe, and elsewhere as well as in all German-speaking countries, and among Ashkenazi Jews .
Wagner begins, 'As Man stands to Nature, so stands Art to Man.' [5] Man, or more particularly the Volk (the community of 'men who feel a common and collective want') creates Art to fill that want. Those who feel no want are outsiders to the Volk and crave only pointless luxury – true Art thus comes only from the atavistic needs of the Volk.
Tannhäuser (German: [ˈtanhɔʏzɐ]; full title Tannhäuser und der Sängerkrieg auf Wartburg, "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner (WWV 70 in the catalogue of the composer's works).
Wagner objected on the grounds of Levi's Jewish faith; Parsifal, he maintained, was a "Christian" opera. [88] Both he and Cosima were vehement anti-Semites; Hilmes conjectures that Cosima inherited this in her youth, from her father, from Carolyne zu Sayn-Wittgenstein, probably from Madame Patersi and, a little later, from Bülow, "an anti ...