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A drawing room is a room in a house where visitors may be entertained, and an alternative name for a living room. The name is derived from the 16th-century terms withdrawing room and withdrawing chamber , which remained in use through the 17th century, and made their first written appearance in 1642. [ 1 ]
There are 38 walls in my house, including the ceilings. Of those, 14 are fully painted, 10 are in varying stages of completion, seven are covered in paint swatches and two are haphazardly skim-coated.
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
The yellow salon of Queen Louise of Prussia in the City Palace, Potsdam (c.1840), by Friedrich Wilhelm Klose (1804–1863). The interior portrait (portrait d'intérieur) or, in German, Zimmerbild (room picture), is a pictorial genre that appeared in Europe near the end of the 17th century and enjoyed a great vogue in the second half of the 19th century.
Women in the Asir province often complete the decoration and painting of the house interior. "You could tell a family's wealth by the paintings," Um Abdullah says: "If they didn't have much money, the wife could only paint the motholath, the basic straight, simple lines, in patterns of three to six repetitions in red, green, yellow and brown."
A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. [5] The term is especially used for paintings that show full-length figures or landscapes at a small scale, rather than a head or other object painted nearly life-size.
The scene of a brightly lit room is contained within the dark sill of a window. The stark framing makes the room the main focus, drawing the eye and giving realness to the action of peeping into a space where the subjects are unaware they are being watched. The genuineness of spying is a product of Hopper’s artistic process.
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