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[2] Clarkson also admitted that "Because of You" is the most depressing song she has ever written. [1] Despite the revelation, she told Entertainment Weekly in August 2011 that she wanted to be remembered for the song because she had to work hard to get it on Breakaway (2004) when everyone was against it.
Paul Revere (/ r ɪ ˈ v ɪər /; December 21, 1734 O.S. (January 1, 1735 N.S.) [N 1] – May 10, 1818) was an American silversmith, military officer and industrialist who played a major role during the opening months of the American Revolutionary War in Massachusetts, engaging in a midnight ride in 1775 to alert nearby minutemen of the approach of British troops prior to the battles of ...
Because of You (James Darren album), 2001; Because of You (Ne-Yo album), 2007, and the title song (see below); Because of You (Tony Bennett album), 1952, and the title song, a cover of the popular song (see below)
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
Here They Come! is the third studio album by American rock band Paul Revere & the Raiders and the group's first release on Columbia Records. [2] It was released on May 3, 1965. The first side of the album, produced by Bruce Johnston , features cover songs that were recorded live.
Phillip Edward Volk (born October 25, 1945) is an American musician. As the bassist of Paul Revere & the Raiders from 1965 to 1967, Volk appeared in over 750 television shows, 520 of which were episodes of the Dick Clark production, Where the Action Is, which aired daily from 1965 to 1967.
The teenage girl who rode 40 miles overnight in the rain during the Revolutionary War – twice as far as Paul Revere two years earlier – to warn the Connecticut militia that the British were ...
Hard 'N' Heavy (with Marshmallow) is the tenth studio album by Paul Revere and the Raiders, released in 1969. [4] It entered the Billboard 200 on 5 April 1969 at number 122, spending 19 weeks on the chart peaking at number 51 on 10 May 1969. [5] The sound of the album has been compared to the Rolling Stones with both garage rock and light ...