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The songs are listed in the index by accession number, rather than (for example) by subject matter or in order of importance. Some well-known songs have low Roud numbers (for example, many of the Child Ballads), but others have high ones. Some of the songs were also included in the collection Jacobite Reliques by Scottish poet and novelist ...
The nearest branch was ten feet up I'd have to jump and chance to luck And so I jumped into the air and missed that branch up in the air Now don't you fret now don't you frown I caught that branch on the way down--here are the new verses.--optional verse That's not the end now don't get sore another night we'll tell you more
"8×10" is a song written by Bill Anderson and Walter Haynes. It was first recorded by American country singer-songwriter Bill Anderson. It was released as a single in 1963 via Decca Records and became a major hit.
This variant of the round-to-nearest method is also called convergent rounding, statistician's rounding, Dutch rounding, Gaussian rounding, odd–even rounding, [6] or bankers' rounding. [ 7 ] This is the default rounding mode used in IEEE 754 operations for results in binary floating-point formats.
"Save Me a Place" is a song by the British-American rock band Fleetwood Mac, released in 1979 on the Tusk album. It was one of the nine songs on the album written by Lindsey Buckingham . In North America, the song was issued as the B-side to " Think About Me ". [ 1 ] "
"I Close My Eyes and Count to Ten" is a song written by Clive Westlake and recorded by British singer Dusty Springfield. Release
"Round Every Corner", with words and music by Tony Hatch, is a single release by Petula Clark released in 1965. Described by Clark herself as "an anti-protest song", "Round Every Corner" employs the musical structure of a children's singing game to present its message of optimism. [citation needed] It reached No. 21 on Billboard Hot 100 in the US.
The song has been taken up by bluegrass musicians far from actual cotton-producing regions; for example, the German skiffle band Die Rhöner Säuwäntzt describe their style as "Musik von den Baumwollfeldern der Rhön," which means "music played in the [imaginary] cotton fields of the Rhön Mountains."