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The Thirteen Problems is a short story collection by British writer Agatha Christie, first published in the UK by Collins Crime Club in June 1932 [1] and in the US by Dodd, Mead and Company in 1933 under the title The Tuesday Club Murders.
The Agatha Christie Trust For Children was established in 1969, [80] and shortly after Christie's death a charitable memorial fund was set up to "help two causes that she favoured: old people and young children". [81] Christie's obituary in The Times notes that "she never cared much for the cinema, or for wireless and television." Further,
The Clocks is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club on 7 November 1963 [1] and in the US by Dodd, Mead and Company the following year. [2] [3] It features the Belgian detective Hercule Poirot. The UK edition retailed at sixteen shillings (16/-) [1] and the US edition ...
Come, Tell Me How You Live is a short book of autobiography and travel literature by crime writer Agatha Christie.It is one of only two books she wrote and had published under both of her married names of "Christie" and "Mallowan" (the other being Star Over Bethlehem and other stories) and was first published in the UK in November 1946 by William Collins and Sons and in the same year in the US ...
The Yellow Iris is a radio play written by Agatha Christie and broadcast on the BBC National Programme on Tuesday 2 November 1937 at 8.00pm. The one-hour programme was broadcast again two days later, this time on the BBC Regional Programme at 9.00pm.
They Came to Baghdad is an adventure novel by Agatha Christie, first published in the United Kingdom by the Collins Crime Club on 5 March 1951 [1] and in the United States by Dodd, Mead and Company later in the same year. [2] [3] The UK edition retailed at eight shillings and sixpence (8/6) [4] and the US edition at $2.50. [3]
The Mousetrap and Other Plays is a collection of plays by English crime novelist Agatha Christie, published by G. P. Putnam's Sons on 25 November 1978. The eight plays had been previously published individually between 1944 and 1960, and all but Verdict are adaptations of previously published works by Christie.
Agatha Christie uses this twice in Passenger to Frankfurt. For the rest the book is largely a discursus on a favourite old theme of Mrs Christie's, the present state of the world and its future outlook, on both of which she takes a somewhat dim view. In other words, for her eightieth book a rather more serious work than usual from this author." [4]
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