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This is a truncated, illustrated list of works by Alphonse Maria Mucha, and shows few examples of the many iconic images for which he is famous. The list does not include all of Mucha's 1910-1928 series The Slav Epic.
Alphonse was the eldest of six children, all with names starting with "A". [9] Alphonse showed an early talent for drawing; a local merchant impressed by his work gave him a gift of paper, at the time a luxury item. [8] In the preschool period, he drew exclusively with his left hand. He had a talent for music: he was an alto singer and violin ...
Jaroslava Muchová in a sketch by her father, Alphonse Mucha, c. 1920s Jaroslava Muchová, by Alphonse Mucha Jaroslava Muchová Syllabová (15 March 1909 – 9 November 1986 [ 1 ] ) was a Czech painter, the daughter of painter Alphonse Mucha and the sister of writer and translator Jiří Mucha .
Sarah Bernhardt (French: [saʁa bɛʁnɑʁt]; [note 1] born Henriette-Rosine Bernard; 22 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils, Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand.
Alphonse Mucha (1860–1939), born in Moravia in what is now the Czech Republic, trained as a painter in Munich for two years and then moved to Paris in 1887, where he struggled to survive. His moment came in December 1894, when he was asked, on very short notice, to create a poster for a new play, Gismonda , starring Sarah Bernhardt .
The Slav Epic 1930 exhibition poster. Alphonse Mucha spent many years working on The Slav Epic cycle, which he considered his life's masterwork. He had dreamed of completing such a series, a celebration of Slavic history, since the turn of the 20th century; however, his plans were limited by financial constraints.
[4] [5] Mucha's panels also bear some resemblance to Japanese woodcuts. Indeed, Mucha was influenced by Japanese art, like many other 19th- and 20th-century European artists. [6] The female figures in Mucha's works were "entwined in vaporous hair and light dresses inspired by nature, such as willowy foliage," as well as adorned in extravagant ...
Mucha's known for his commercial art, perilous women with big hair and the epic Slav Epic (I said it was epic already), but this is a nice intimate sketch of his daughter who is obviously fed up with sitting for him, judging by the finger tapping. Articles in which this image appears Alphonse Mucha and now Jaroslava Muchová FP category for ...