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While most classical guitar makers are today mainly concerned with making modern classical guitars with their typical fan-bracing or experimenting to make the instrument louder (e.g., "thin-top lattice-braced", "double-top", with results that are not without criticism [45]); they seem to give little consideration to historical sound ideals, or ...
In 1970, he came upon the book Classical Guitar Construction by Irving Sloane, one of the clearest guides to guitar-making, which was published in 1966. [6] Before Sloane, wrote Barbara Stewart in The New York Times, "Anyone interested in guitar construction had to find a luthier [an expert craftsman of stringed instruments] — usually in Spain, Germany or Belgium — and try to become his ...
The classical guitar pedagogy is a collection of ideas, structures and patterns that are typical in teaching the instrument. These elements have been formalised by several music governing bodies, most notably ABRSM. These frameworks contain a rubric to teach classical guitar from novice to expert.
William Richard Cumpiano (born April 30, 1945) is a builder of stringed musical instruments and is known for his writing and teaching of the art of luthiery.He has been involved in the preservation and understanding of the fading musical and musical craft traditions of his native Puerto Rico.
The word luthier is originally French and comes from luth, the French word for "lute".The term was originally used for makers of lutes, but it came to be used in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars.
The Guitar and Lute Workshop (GLW) was a manufacturer of custom guitars, ukuleles, and period stringed instruments based in Honolulu, Hawaii between 1970 and 1976. The workshop was known primarily for the talented luthiers employed in either construction of guitars, or the musicians that taught at the workshop or that used guitars made at the workshop.
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