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Pages in category "Films directed by Hirokazu Kore-eda" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes .
Hirokazu Kore-eda (是枝 裕和, Koreeda Hirokazu, born 6 June 1962) is a Japanese film director, producer, screenwriter, and editor. He began his career in television and has since directed more than a dozen feature films , including Nobody Knows (2004), Still Walking (2008), and After the Storm (2016).
A Drill-Down on 10 Outstanding Films at Monterrey from Kore-eda to Rodriguez and Paramount-backed Argentine thriller ‘The Rescue’ Anna Marie de la Fuente September 25, 2023 at 1:52 AM
[1] [2] The chart is ranked by lifetime gross, and for comparison, the figures adjusted for the effects of inflation are also listed, using the U.S. consumer price index; [4] a film's earnings from its initial release are also included to provide a basis for comparison between films released around the same time.
Included on the list are charts of the top box-office earners (ranked by both the nominal and real value of their revenue), a chart of high-grossing films by calendar year, a timeline showing the transition of the highest-grossing film record, and a chart of the highest-grossing film franchises and series. All charts are ranked by international ...
The Academy Award for Best International Feature Film (formerly known as Best Foreign Language Film prior to 2020) is handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States of America with a predominantly non-English dialogue track.
The following table lists known estimated box office ticket sales for various high-grossing films that have sold at least 100 million tickets worldwide. Note that some of the data are incomplete due to a lack of available admissions data from a number of box office territories. Therefore, it is not an exhaustive list of all the highest-grossing ...
It premiered on 11 September 1998 at the 1998 Toronto International Film Festival and distributed in over 30 countries, bringing international recognition to Kore-eda's work. [4] The film was also shown at the 1998 San Sebastián International Film Festival, where it won the FIPRESCI prize "for its universal theme, its empathy for nostalgia and ...