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2. Rush (2013 soundtrack) - Wikipedia

   en.wikipedia.org/wiki/Rush_(2013_soundtrack)

   Rush is the soundtrack to the film of the same name, released on September 10, 2013. The soundtrack features a musical score composed by Hans Zimmer , plus five classic rock songs by Dave Edmunds , Steve Winwood , Mud , Thin Lizzy , and David Bowie .

3. Rush (soundtrack) - Wikipedia

   en.wikipedia.org/wiki/Rush_(soundtrack)

   Rush is the soundtrack album for the 1991 film of the same name. Written and performed by Eric Clapton , the soundtrack album includes the song " Tears in Heaven ," which won three Grammy awards in 1993.

4. List of Rush instrumentals - Wikipedia

   en.wikipedia.org/wiki/List_of_Rush_instrumentals

   The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.

5. Tom Sawyer (song) - Wikipedia

   en.wikipedia.org/wiki/Tom_Sawyer_(song)

   "Tom Sawyer" is a song by Canadian rock band Rush, originally released on their 1981 album Moving Pictures as its opener. The band's lead singer, bassist, and keyboardist, Geddy Lee, has referred to the track as the band's "defining piece ... from the early '80s".

6. Roll the Bones - Wikipedia

   en.wikipedia.org/wiki/Roll_the_Bones

   Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. [7] [8] The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).

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8. Freewill (song) - Wikipedia

   en.wikipedia.org/wiki/Freewill_(song)

   Lifeson says the guitar solo in the song is a "really hard solo to play", describing it as "frenetic and exciting" and "one of the most ambitious pieces of music Rush has ever done". [15] In his book Rush, Rock Music and the Middle Class: Dreaming in Middletown, Chris McDonald describes Lifeson's play as a "searing, rapid-fire" guitar solo. [16]

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