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Calligraphy of a segment of the "Yang Zhu" ("Yang-chu") chapter - Kojima Soshin. The Liezi (Chinese: 列子; Wade–Giles: Lieh-tzu) is a Taoist text attributed to Lie Yukou, a c. 5th century BC Hundred Schools of Thought philosopher.
A famous ancient Chinese myth from this book is that of Yu the Great, who spent years trying to control the deluge. The account of him is in the last chapter, chapter 18, in the 2nd to last paragraph (roughly verse 40). This account is a much more fanciful account than the depiction of him in the Classic of History.
Yuan Ke (袁珂) (1916–2001) was a Chinese scholar, one of the most important specialists on Chinese mythology. [1] [2] His first important work was Zhongguo Gudai Shenhua, a ground-breaking volume on the topic first published in 1950. A second edition, revised and substantially expanded, appeared in 1957.
Yaoguai (Chinese: 妖怪; pinyin: yāoguài) represent a broad and diverse class of ambiguous creatures in Chinese folklore and mythology defined by the possession of supernatural powers [1] [2] and by having attributes that partake of the quality of the weird, the strange or the unnatural.
Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
One aspect of the traditional Chinese characters used in the case of Zhurong's name is that the character 融 is composed by combining the character 鬲 which refers to a ritual cauldron or tripodal vessel with three hollow legs, which is well known from archeological reports as a characteristic Chalcolithic (Late Neolithic/Early Bronze) Age feature encountered in archaeological sites in ...
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).
They are often written in vernacular Chinese and recount the mythology surrounding a deity or a hero, or constitute the theological and philosophical scriptures of organized folk sects. [1] Baojuan is a type of performative text or storytelling found in China that emphasizes worship of ancient deities from Buddho-Daoist sects [2] often ...